I literally just got done reading Neverwinter, and I have to say… I really can’t wait for Dahlia to go away.
Now, don’t get me wrong, I like how it is giving Drizzt some new gut-checks on his stances regarding a number of things, but he is still finding that his instincts are serving him well. While she is doing some small damage to him, making him question at odd moments, she is not shaking him to the core.
What I will say, in a positive tone, is that the meeting of Artemis Entreri and Drizzt again after so many decades is well worth the read. There is a point just after Drizzt encounters Entreri that he wonders if it isn’t just a part of him wishing for times long past. And right there is the hardest crux of this.
You see, Salvatore’s writing has changed. Or rather, the tone of the Drizzt novels as Salvatore writes them has changed. There is a darker edge than ever before, and an increased attention to sexuality throughout the book. It was only hinted that Drizzt’s last night with his catatonic wife, Catti-brie, was engaged in sex. In this book, it is out and out stated that Drizzt sleeps with Dahlia. In addition there are scenes involving the villainess Sylora Salm, her champion Jestry, and a succubus having a tryst, the hint of what happened to a captive Entreri took in a battle at the hands of Alegni, and even a violent threat of emasculation.
None of this is tawdry; Salvatore hasn’t turned into even a softcore porn writer. But he has introduced those darker and more lascivious elements to his writing. I don’t have too much of a problem with it other than this: it shows a fundamental shift in what is expected of authors, especially those associated with Dungeons & Dragons.
When Salvatore started, they were great books of high adventure, fun, sweeping grandeur and the same feel you would get from reading the classics of fantasy. But now, it feels grimmer, grittier, more disposed to the seedier and darker elements. And I don’t know if I like that. Drizzt to me was always a hero, the kind of stand-up guy you quietly hoped you would be like, or your kids would emulate. But now… it’s stained. And that worries me.
There are some good inside jokes in there, including a lovely joke about World of Warcraft imps and the actions they take as you sit idly. There is still Drizzt struggling against darkness, this time as much in the bad guys as his new lover (oh how I railed against that little fact coming out). But there is also the sense that something has changed. And I don’t really know if it’s a good thing.
I am not saying that Salvatore is an amazing writer, nor am I saying that this should be the barometer by which all other fantasy literature is measured. But I am saying that it’s the first I noticed of the shifting trends in fantasy. And again, I really don’t know if I like it all that much when it comes to some of these heroes.
Still, read the book. It has great moments, Salvatore’s almost trademark fight scenes, and the great monologues by Drizzt preceding every section of the book. It does not disappoint, overall.
What do you think?